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A man reaps what he sows…

Even if Texas Lt. Governor Dan Patrick’s bible-verse tweet was pre-scheduled, and wasn’t sent with any particular reference to the slaughter at a gay night club in Orlando, let’s not forget the...

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Time to rename the Kennedy Center Honors

Let’s just call it the annual Kennedy Center Pander for Pop-Cult Cred Award. I didn’t expect to change anyone’s mind over at the The John F. Kennedy Center for the Performing Arts when I wrote this...

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Democracy will never be less contentious.

This essay is running in The Washington Post on Monday, July 11. I try to say what I believe. This is part of of it: Democracy has always been contentious; it will not get less so. There is no ideal...

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The Washington Concert Opera at 30

Angela Meade, Vivica Genaux, Michele Angelini, Antony Walker, Javier Arrey and Jonas Hacker at the Washington Concert Opera 30th Anniversary Concert. Photo by Don Lassell.                The 30th...

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Ruth Bader Ginsburg, Donizetti, and a catharsis of democracy

               I didn’t have high expectations for the cameo appearance of supreme court associate justice Ruth Bader Ginsburg in last night’s production of Donizetti’s  “La fille du regiment,” at the...

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Massenet’s “Herodiade,” revived

              The Washington Concert Opera performance of Massenet’s “Herodiade” on Sunday evening was electric from beginning to end. It is a well-made opera, by a master of well-made operas, and its...

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Radu Jude’s “Aferim!”: The claustrophobia of wide spaces

Unlike most of the contemporary Romanian films I’ve seen recently, Radu Jude’s “Aferim!” is shot almost entirely out of doors, in an untamed landscape of wide vistas that often dwarfs or obscures the...

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A semi-dormant blog

I’ve updated this blog only sporadically over the past few years. I’ll continue to do so, especially if the subject is opera or music, or my forthcoming memoir about Bach’s “Goldberg” variations (W.W....

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Recent Reviews…

There’s good news at The Washington Post. The paper is stronger than it’s been in at least a decade, and everyone is breathing (tentatively, nervously) a sigh of relief that the new owner and business...

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Verdi’s Don Carlo at the Washington National Opera

Verdi’s “Don Carlo” was originally written for the Paris Opera, as a grand opera in five acts, with all the spectacle audiences expected from the form. One can’t fault companies today for economizing,...

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